Joseph Stalin, Malenkov, Nasser and Prokofiev

Today, I'm asking all my faithful readers for advice. As you probably know, I'm coming back to the US in four weeks (eek!). As you probably also know, I'm a voracious biblophile. So now I'm debating the best way to get my books back to the US. I probably have 20-25 books I want to ship back, many of them fairly small. The majority of them are in Russian or Ukrainian and would be hard to obtain in the US, and the remainder are ones that I particularly love or have sentimental value to me.

So...shipping. Because I really don't want to haul them in my suitcase, nor will I have room. I seem to have two options. The first is to go through EMS, a shipping company that some of my fellow PCVs used. They have a branch office in Kharkiv, so I'd have to haul my books up there, but it's closer than the main office in Kyiv. They charge a flat $40 to begin with, plus $4.17 per kilogram after that. It seems likely that I would have no worries about my box getting lost.

The other option is to go through my local post office. They said that the price goes up for each kilo, so they couldn't/wouldn't tell me how much things would cost exactly, but it would be roughly $30 for two kilograms. I'd only have to haul my books to the center, rather than two hours away. I've never had a package I sent to the US get lost, although some of them have taken their own sweet time in getting there (and let's not even talk about the postcards from Odesa, shall we, Mom and Tif?). However, if anything happened to my books, I would be a sad Sally.

(I would also, at my post office, have a very good chance of having to deal with the Mean Post Office Lady...Tif, I'm sure you remember her. She's one of the people in Balaklia who irritates me the most, not so much for her perpetual grumpiness and lack of helpfulness exactly, but that she goes to Andrey's church and is, as far as I know, a Christian and is STILL grumpy. I always want to say, "You know, we're sisters in Christ here. Can I get a smile?" It's not just me...she's like this with everyone. I think she must really hate her job.)

So...what do you think? Do I take a day to travel to Kharkiv and pay extra, or do I go to the post office and hope for the best?

~*~

I was at the copy center at the library today, this time for my own projects for the teachers' seminar, and Serhii Danilovich, the music teacher from my school, came in. He said that he'd seen how nice the booklets for the teachers' seminar I'd had printed at the library came out, and he also wanted some done the same way. (Except that he already had a dummy copy set up that just needed to be copied and the covers laminated.)

I'm not sure if the copy center ladies are going to hate me for sticking them with more booklets or love me for drumming up more business.

~*~

Serhii Danilovich and I had a nice chat after we got our copies done--a month or so ago, he'd requested a CD of American songs that dealt with topics other than love. I'd really gotten into the project and made him one with songs as varied as Alabama's "Forty Hour Week," Elvis Presley's "In the Ghetto," the Weavers' "Brother, Can You Spare a Dime?", Nina Simone's "Work Song," and Billy Joel's "We Didn't Start the Fire," plus a few more. Translating them is a bit beyond my skill, but we sat down one day and I told him a few sentences about each song.

Well, the current topic in the 8th form curriculum is "Modern Music," and apparently all the kids were like, "Ukrainian music sucks and is boring but music in English is cool." Serhii Danilovich played segments of the songs I gave him and asked the kids what they thought the songs were about. "I don't know but it sounds cool!" was a popular answer. So he told them what the songs were actually about--social problems, the working class, etc.

He said that the kids looked horrified and are now avoiding conversations with him, as if talking to him will somehow make all their other "cool" music turn into musical political statements.

I love it when stereotypes are broken down!